007 – Storyboarding & script writing

Today’s lesson is all about storyboarding the narrative you chose yesterday and thinking about the dialogue that will occur in your film.

In your groups I would like you to have finished your storyboard and started you script by the end of the lesson.

For your storyboard I would like you to draw the a shot that best illustrates the action in each scene. It is important to remember that a scene is everything that happens in one location and a shot is one continuous bit if filming that runs uninterrupted for a period of time. A scene can have one shot or it have have twenty shots, it depends on how the film maker wants to tell their story.

When you write your script you need to work to the principal that less is more. Think about black hole or Bomb!  there is very little dialogue; the story is told primarily through the actions of the characters. Your script should contain more stage direction that dialogue.

Example script from Twin Peaks first episode

(Deputy Andy takes a big bite of his plum frappe turnover, just as Dale Cooper breezes through the front door and waves brightly as he passes.)

COOPER

Morning, deputy.

ANDY

(his mouth completely full) Good morning, Agent Cooper.

(Lucy, at the coffee station holding a pot and a cup, turns to face Cooper, with a doughnut stuck in her mouth.)

COOPER

Hey there, Lucy.

LUCY

(barely intelligible) Agent Cooper, I got jelly for you special, the Sheriff’s down the hall in Interrogation.

COOPER

I’ll just look for him down in Interrogation.

(He moves down the hall.)

008 – Creating a sound track for you sequence

Now that you have managed to get your sequences shot, it is time to think about sound and the important part it plays in film narrative. You know something scary or sad is about to happen in a film by the sound that precedes it. You know that thunder, lightening and rain are used as a cue to signal the begining of an unfortunate chain of events in some films, and this is done by well timed sound FX that match the visual you see on screen.

Today, once your sequences have been uploaded, you task is to get familar with Garageband and create a sound track that works with what is happening in the narrative. Your sequence should have a building of tension as the argument over the calculator gets more heated; have a listen to the sounds available in Garageband and create something that you think fits this.

GARAGEBAND BASIC

1. Open Garageband

2. Choose ‘Loops’

3. Name your song

4. Preview sounds in the right hand column

5. Drag and drop sounds you want to use into the middle column

6. Modify the length of sounds by cutting them (Command+T)

7. Match the sounds in Garageband to the precise time you want to hear them in iMove. You can do this by noting the time you wish to here a sound in iMovie and placing that sound at the some point on the Garageband timeline.